Today my author guest is Jessica Bell. An Australian, Jessica now lives in Athens, Greece and has recently had her novel "String Bridge" published. "String Bridge" is not your typical women's fiction. This is a story about a woman filled with regret who still finds the courage to strive towards her dreams. Can you tell us more, Jessica?
How would you describe String Bridge to someone who has not heard of it before? I hope you don’t mind if I quote an author friend of mine to answer this. The way she describes it
flatters me so much and I can’t possibly thank her enough! "Jessica's prose has a wonderful lyrical quality
that transcends preconceived (and often incorrect) literary boundaries. As
Jessica would concede, every word, every sentence, every paragraph is
written and re-written until the page sings … Jessica’s work overflows with
exquisite description, perfect metaphors, tight dialogue, and brilliant use of
sensory detail. Somehow she has the ability to take a seemingly ordinary
three-chord type story and turn it into a mainstage event.” Dawn Ius, Bridge Social Media
What was your favorite section of the book and why? I can’t really answer this without spoiling the story, so I’m just going
to say that my favorite part of the book is the darkest part. I really
struggled to write this section of the book. I even put it off until the very
end because I dreaded experiencing the emotions. Of course, I had to
eventually. Cried the whole time I wrote it. It’s very raw and a little
shocking too. I still can’t believe some of the material in this novel came
Who do you imagine is your ideal reader? Any woman from the age of 18
and up. I don’t think it’s very appropriate for young teens as some of the
language and images can get a bit coarse. The story may be centred on music and
motherhood and marriage, but ultimately it’s about overcoming loss. And I think
every person on this planet can relate to that. I also think some men would get
something worthwhile out of it too. Even if they can’t identify with the story,
I think they’d at least be able appreciate the way in which it’s written.
Which book do you wish you’d written and why? I think I’ve said this over
and over in answer to various questions. Housekeeping, by
Marilynne Robinson. I don’t think I’ve ever read such a brilliant piece of
literary work in my life. In my opinion, it’s even better than any of the
classics I’ve read, and I’ve read plenty.
What famous person, living or dead, would you invite for a
tête-à-tête, and why? Oh my, there are so many
inspirational people I would love to invite such as Patty Smith, Nick Cave,
Marilynne Robinson, Margaret Atwood, Raymond Carver, Gwen Harwood, Anne Lamott,
Kate Bush, Joni Mitchell, Elliot Smith and many more. But, I guess my first
choice is PJ Harvey. Her music has boosted my passion for every single creative
endeavour I have pursued. Really, she just pushes the right buttons. I can’t
tell you exactly what buttons they are, but they definitely make something
inside me spark.
Vedrana Rudan is a
Croation journalist turned author. In an interview with Ana Lucic she said this, "I am a human being who lives in a
country in an age that allows the poor only one weapon in their duel with life,
and that’s swearing. Swearing is the scream of a victim, their only normal way
of speech." When Beric and I travelled through Croatia, we were struck
by the poverty, which we didn’t expect in a European country. How do you feel about her statement and what
do you think of swearing in novels? I think what Ana says is brilliant and certainly
holds a decent amount of validity in this day and age. There is nothing wrong
with swearing. Sometimes it’s almost like tool to release an unwanted abundance
of emotion. I understand that concept completely. I have no problem with swearing in novels. In
fact, there is a decent amount of it in String Bridge. The thing is, it’s there
for a reason. And that reason stems from the fact that swearing in a language
that is not your own often seems like a game and it doesn’t tend to have the
same impact as swearing in one’s mother tongue to the person uttering the
words. But it does to the person on
the receiving end. I explore this concept in String Bridge. Basically, what I’m
saying is, it needs to be there for a reason. Even if that reason is as simple
as it being a character trait (i.e. the person swears a lot just for the sake
of it). I resent it when readers claim that an author uses too many swear
words. Writers have a reason for doing everything. Sometimes we mull over a
single sentence for hours. Nothing is ever there for the sake of it. Also,
what’s the big deal? They’re just words. It’s not murder.
Where can we find out more about "String Bridge"?
Buy the soundtrack (Note from Judy: Jessica's voice and lyrics are terrific!)
Buy your paperback copy of "String Bridge"
Jessica, thanks for an interesting view into your world. Wishing you the best of luck with your story and looking forward to your next book!